‘I lost a friend of almost 40 years’: Nancy Meyers pays tribute to Diane Keaton

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Film-maker who directed Keaton in Something’s Gotta Give, and wrote Baby Boom and Father of the Bride, says ‘we have lost a giant’ Film-maker Nancy Meyers has paid tribute to the late Diane Keaton, her “friend of almost 40 years” and collaborator on celebrated comedies Something’s Gotta Give, Baby Boom and Father of the Bride. On Monday, Meyers wrote on Instagram that she’d had a difficult 48 hours since Keaton’s death was announced on Saturday, but “seeing all of your tributes to Diane has been a comfort.” Continue reading... from Film | The Guardian https://ift.tt/TFc820j via IFTTT
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Hurry Up Tomorrow review – The Weeknd’s meta-thriller plays like a music video

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Visually effective yet narratively meandering, the star’s moody psycho-thriller-cum-therapy-session is a missed opportunity

Regrets? The Weeknd has a few. In Hurry Up Tomorrow, a celluloid roman-à-clef pegged to his sixth studio album, the Grammy-winning multi-hyphenate puzzles through the consequences of hooking up with a deranged groupie who forces him to reckon with his rock star flings. But it’s viewers who will probably be feeling rueful over nearly two hours lost in the end.

Though technically a thriller, Tomorrow takes inspiration from a real-life moment of weakness: the Weeknd – born Abel Tesfaye – losing his voice while filming The Idol TV series in between a global stadium tour. As with most of his artistic efforts, the Weeknd makes the job of distinguishing his sincere reflections from his satirical self-observations impossibly hard on audiences and smirks when they don’t get the joke. Recall his dizzying Super Bowl half-time show and face-bandage stunt he pulled to promote the After Hours album.

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