A Woman’s Life review – a breezy comedy of midlife crisis and same-sex affair

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Cannes film festival: Léa Drucker gives a bravura performance as a brilliant surgeon whose already chaotic life is further complicated by a same-sex affair with a journalist Charline Bourgeois-Tacquet’s new film is a hectic, garrulous, breezily agreeable comedy of midlife emotional upheaval, unencumbered by any serious or permanent concern about any of the passion and heartache that it briefly encounters. It’s also a movie that declines to allow its characters to be changed in any way by the excitements and disappointments that life has to throw at them. Léa Drucker carries off the lead with terrifically competent elan; there’s hardly a scene in which she is not interrupted by a call on her mobile, going into bravura walk-and-talk acting on the phone while on the street, arriving at the office or getting into or out of her car. She plays Gabrielle, a brilliant surgeon – what other sort is there in the movies? – who specialises in maxillofacial reconstruction. Gabrielle is battling budg...
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Hurry Up Tomorrow review – The Weeknd’s meta-thriller plays like a music video

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Visually effective yet narratively meandering, the star’s moody psycho-thriller-cum-therapy-session is a missed opportunity

Regrets? The Weeknd has a few. In Hurry Up Tomorrow, a celluloid roman-à-clef pegged to his sixth studio album, the Grammy-winning multi-hyphenate puzzles through the consequences of hooking up with a deranged groupie who forces him to reckon with his rock star flings. But it’s viewers who will probably be feeling rueful over nearly two hours lost in the end.

Though technically a thriller, Tomorrow takes inspiration from a real-life moment of weakness: the Weeknd – born Abel Tesfaye – losing his voice while filming The Idol TV series in between a global stadium tour. As with most of his artistic efforts, the Weeknd makes the job of distinguishing his sincere reflections from his satirical self-observations impossibly hard on audiences and smirks when they don’t get the joke. Recall his dizzying Super Bowl half-time show and face-bandage stunt he pulled to promote the After Hours album.

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