Chaos at the box office: Scary Movie postponed; Hai Jawani Toh Ishq Hona Hai, Peddi, He-Man And The Masters Of The Universe face screen-sharing issues

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The first Friday of June will see several films releasing in cinemas like Hai Jawani Toh Ishq Hona Hai, Bandar and Ram Charan-starrer Peddi. Two Hollywood films were also scheduled for release – He-Man And The Masters Of The Universe and Scary Movie. Bollywood Hungama has learned that the latter won’t be able to make it to cinemas this Friday, June 5. An exhibitor told Bollywood Hungama, “We don’t know what the reason is for the delay. It may be due to too many films this week. Last week’s Obsession is also going strong and it’ll take up some shows. Or it could be due to censorship issues. It now remains to be seen whether Scary Movie arrives next Friday, June 12.” Meanwhile, as expected, the screen-sharing issues have cropped up between Peddi in the Hindi-speaking markets and Hai Jawani Toh Ishq Hona Hai. The former, which also stars Janhvi Kapoor, releases in cinemas on June 4. A trade source told us, “The non-national multiplexes have thrown open the bookings of Peddi. The issue ha...
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Dossier 137 review – tense gilets-jaunes thriller divides cop’s loyalties over police brutality

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Cannes film festival
A taut, charged procedural from Dominik Moll follows a conflicted officer investigating violence to a teenage protester

Dominik Moll’s Dossier 137 is a serious, focused, if slightly programmatic movie about police brutality in France; there are docu-dramatic storytelling reflexes and a determined procedural tread. The movie takes its cue from the horrifying real-life cases of gilets-jaunes protesters in France’s 2019 demonstrations who suffered near fatal injuries due to the police’s trigger-happy use of the LBD gun: the lanceur de balle de défense or “flash ball” gun which (deafeningly) fires vicious rubber bullets.

Stéphanie, played by Léa Drucker, is a conscientious police officer in the IGPN, the Inspection Générale de la Police Nationale, effectively the Internal Affairs bureau, investigating horrific head injuries suffered by a teen protester, which could only be caused by the cops’ flash-ball weapons. She is divorced from a cop, Jérémy (Stanislas Merhar) who along with his new girlfriend – also in the police – is gloweringly resentful of what he sees as her bureau’s disloyal undermining of the police, and the way she is questioning the corners they (supposedly) have to cut to keep France safe, especially after the Bataclan attacks.

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