Sharmila Tagore on missing out on Rocky Aur Rani Kii Prem Kahaani with Dharmendra, “I fell ill and couldn’t do the film”

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“We shared the same birthday. He was my co-star in seven films. I knew he was not keeping good health. But the news of his passing is still very saddening,” said Sharmila Tagore, who worked in films as far-ranging as Satyakam and Chupke Chupke with Dharmendra. She reflected on their screen togetherness. “We first worked together in Devar and then during the same year in Anupama. Two very serious subjects, followed by an out-and-out commercial film Mere Humdum Mere Dost. Shooting with him was a breeze. He was as effortless on screen as he was off it. He was never ‘The Star’ on the sets, always his natural self. There was nothing put-on about him.” Sharmila Tagore recalled her first meeting with Dharmendra. “Before we worked together, we met when I was shooting with Yash Chopra’s Waqt. I don’t know in what context he was there. But I remember he was dressed… how shall I put it… not like a star at all. When s...
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Dossier 137 review – tense gilets-jaunes thriller divides cop’s loyalties over police brutality

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Cannes film festival
A taut, charged procedural from Dominik Moll follows a conflicted officer investigating violence to a teenage protester

Dominik Moll’s Dossier 137 is a serious, focused, if slightly programmatic movie about police brutality in France; there are docu-dramatic storytelling reflexes and a determined procedural tread. The movie takes its cue from the horrifying real-life cases of gilets-jaunes protesters in France’s 2019 demonstrations who suffered near fatal injuries due to the police’s trigger-happy use of the LBD gun: the lanceur de balle de défense or “flash ball” gun which (deafeningly) fires vicious rubber bullets.

Stéphanie, played by Léa Drucker, is a conscientious police officer in the IGPN, the Inspection Générale de la Police Nationale, effectively the Internal Affairs bureau, investigating horrific head injuries suffered by a teen protester, which could only be caused by the cops’ flash-ball weapons. She is divorced from a cop, Jérémy (Stanislas Merhar) who along with his new girlfriend – also in the police – is gloweringly resentful of what he sees as her bureau’s disloyal undermining of the police, and the way she is questioning the corners they (supposedly) have to cut to keep France safe, especially after the Bataclan attacks.

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