SCOOP: Sequel of Kangana Ranaut-starrer Queen likely to be titled Queen Forever

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A few days ago, reports came in that the sequel to Kangana Ranaut’s iconic film, Queen (2014), is in the works. According to the article in Mid-Day, the film will be directed by Vikas Bahl, who also helmed the first part, and is set to go on floors in April. Bollywood Hungama has learned that the film won't be called Queen 2 and that the makers have a title in mind. A source told Bollywood Hungama, “The makers had several options for the film’s title and the one that has really caught their eye is Queen Forever. If all goes well, this will be what the film will be called.” The source continued, “The makers feel Queen Forever is the apt title and that it suits the film’s subject. They are expected to finalize it very soon and make an official announcement, hopefully before the film’s shoot begins.” Bollywood Hungama has also learned that Amit Chandrra of Trigger Happy Entertainment will be producing Queen Forever. His banner, Trigger Happy Studios, earlier produced the Farhan Akh...
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Dossier 137 review – tense gilets-jaunes thriller divides cop’s loyalties over police brutality

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Cannes film festival
A taut, charged procedural from Dominik Moll follows a conflicted officer investigating violence to a teenage protester

Dominik Moll’s Dossier 137 is a serious, focused, if slightly programmatic movie about police brutality in France; there are docu-dramatic storytelling reflexes and a determined procedural tread. The movie takes its cue from the horrifying real-life cases of gilets-jaunes protesters in France’s 2019 demonstrations who suffered near fatal injuries due to the police’s trigger-happy use of the LBD gun: the lanceur de balle de défense or “flash ball” gun which (deafeningly) fires vicious rubber bullets.

Stéphanie, played by Léa Drucker, is a conscientious police officer in the IGPN, the Inspection Générale de la Police Nationale, effectively the Internal Affairs bureau, investigating horrific head injuries suffered by a teen protester, which could only be caused by the cops’ flash-ball weapons. She is divorced from a cop, Jérémy (Stanislas Merhar) who along with his new girlfriend – also in the police – is gloweringly resentful of what he sees as her bureau’s disloyal undermining of the police, and the way she is questioning the corners they (supposedly) have to cut to keep France safe, especially after the Bataclan attacks.

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