Dumb and Dumber To or Idiocracy? What to watch instead of Trump’s big boy birthday party

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A helpful list of films to watch other than Donald Trump’s birthday parade – from a dystopian thriller to a terrible sequel to a prophetic cult hit What are you up to this weekend? If you’re American, then there’s only one right answer to the question: celebrating the 79th birthday of our lord and saviour, Donald John Trump . As you will know, and already have marked in your calendar, there’s a big military parade happening in Washington DC on Saturday 14 June. Nominally this is to mark the US army’s 250th anniversary, but thanks to the machinations of time and space it happens to fall on Trump’s birthday: the parade has been widely branded as a big boy birthday party for the president. If you can’t get to DC to physically watch Trump’s parade then I’m sure you’re desperate to watch it on TV. ABC News, which recently dropped its correspondent Terry Moran for a social media post calling Stephen Miller, the Trump administration deputy chief of staff a “world class hater”, plans to c...
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Bono: Stories of Surrender review – megastar tries out humility in likable one-man show

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Cannes film festival
The U2 singer’s solo stage appearance sees him reflect on his anguished family past and have a decent go at being an ordinary Joe

The stadium-conquering rock superstar Bono finds a smaller arena than usual for this more intimate and much acclaimed “quarter-man” show, performed solo without his U2 bandmates Adam Clayton, David “The Edge” Evans and Larry Mullen Jr and filmed live on stage at New York’s Beacon theatre in 2023 by Andrew Dominik. It’s a confident, often engaging mix of music and no-frills theatrical performance, with Bono often coming across like some forgotten character that Samuel Beckett created but then suppressed due to undue levels of rock’n’roll pizzazz.

Bono delivers anecdotes from his autobiography Surrender, starting with his recent heart scare and going back to his Dublin childhood, his musical breakthrough to global fame, his post-Live Aid charity work on poverty and famine relief (though no discourse on the question of whether Live Aid was a good thing), and his religious faith which evidently morphed from a radical Christianity in his teen years to a more wide-embracing spirituality; it is all interspersed with “unplugged” versions of U2 standards accompanied by harp and cello.

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