Amitabh Bachchan buys fourth property in Ayodhya for Rs 40 crores: Report

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Amitabh Bachchan has deepened his connection with Ayodhya by purchasing yet another plot of land in the temple town—his fourth in recent times. According to reports, the legendary actor acquired a 25,000 square foot plot for Rs 40 crore, close to the sacred Ram Janmabhoomi temple. This latest acquisition is located near the upscale Sarayu real estate project, where Bachchan had earlier invested Rs 14.5 crore. The area has become a hub of premium developments, merging spiritual significance with modern infrastructure. Amitabh Bachchan’s properties in Ayodhya Last year, just days before the grand inauguration of the Ram Mandir, Bachchan had bought a 5,372 square foot property in the same area for ₹4.54 crore. Commenting on his plans at the time, the actor had said, “This is a start of a heartfelt journey into the soul of Ayodhya, where tradition and modernity seamlessly co-exist, creating an emotional tapestry that resonates with me deeply. I am looking forward to building my home in th...
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Slade in Flame review – Midlands glam rockers offer A Hard Day’s Night meets Get Carter

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The 1975 musical satire is a curious amalgam of madcap comedy and Brit realism as the band ride the giddy highs and brutal lows of the 70s music industry

Here is Slade’s movie musical satire from 1975, a film with all the pungent historical presence of a pub ashtray, about an imaginary band called Flame which looked and sounded a lot like Slade, fronted by Stoker, played by Noddy Holder. It came out a year after the film’s soundtrack album was released, and now gets a rerelease for its 50-year anniversary. Slade in Flame – which is to say, Flame, starring Slade – is regarded by fans and non-fans alike with enormous affection and regard, and it certainly has a weird, goofy energy: the audio mix sometimes surreally privileging ambient sounds such as doors closing and glasses chinking, with the dialogue way in the background.

It’s about an innocent working-class Midlands band getting taken up by creepy adman-type smoothie Robert Seymour, played by Tom Conti, who exploits their raw talent for cash and takes them on a rollercoaster ride of fame, the action regularly suspended while the band sing their various tracks. But then their former manager, dodgy cockney mobster Mr Harding (Johnny Shannon) reappears – a man who never gave a hoot about them in their early days and contributed nothing to their career – demanding his share of the action. So it bizarrely mixes the madcap comedy of A Hard Day’s Night – or a late-period Carry On – with the brutal nastiness of a crime thriller like Get Carter. The effect is striking, in its way, but finally somehow depressing in a way that isn’t entirely intentional, and depressing in a way that actually listening to Slade is not. It also shows the unexpected influence of a particular kind of Brit social realism with a generic loyalty to unhappiness.

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