Rhea Chakraborty announces social media break, says “I’ve been missing myself a little”

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Rhea Chakraborty has announced that she is taking a temporary break from social media, saying the constant digital noise had started affecting her mental well-being. The actor shared an emotional note on Instagram, explaining that she wanted to step away from the pressure of online life and reconnect with herself through real-world experiences. In the note shared with her 3.6 million followers, Rhea wrote, “Lately, I’ve been missing myself a little. The constant noise, the scrolling, the keeping up — it’s all started to feel heavier than I expected... So, I’m taking a step back for a while — to slow down, breathe a little deeper, and reconnect with what feels real. Choosing lived moments over posted ones, for now.” The actress has been slowly rebuilding both her personal and professional life after facing intense media scrutiny in 2020 following the death of actor Sushant Singh Rajput. Over the years, Rhea has largely stayed away from the spotlight while gradually returning to public ...
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Slade in Flame review – Midlands glam rockers offer A Hard Day’s Night meets Get Carter

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The 1975 musical satire is a curious amalgam of madcap comedy and Brit realism as the band ride the giddy highs and brutal lows of the 70s music industry

Here is Slade’s movie musical satire from 1975, a film with all the pungent historical presence of a pub ashtray, about an imaginary band called Flame which looked and sounded a lot like Slade, fronted by Stoker, played by Noddy Holder. It came out a year after the film’s soundtrack album was released, and now gets a rerelease for its 50-year anniversary. Slade in Flame – which is to say, Flame, starring Slade – is regarded by fans and non-fans alike with enormous affection and regard, and it certainly has a weird, goofy energy: the audio mix sometimes surreally privileging ambient sounds such as doors closing and glasses chinking, with the dialogue way in the background.

It’s about an innocent working-class Midlands band getting taken up by creepy adman-type smoothie Robert Seymour, played by Tom Conti, who exploits their raw talent for cash and takes them on a rollercoaster ride of fame, the action regularly suspended while the band sing their various tracks. But then their former manager, dodgy cockney mobster Mr Harding (Johnny Shannon) reappears – a man who never gave a hoot about them in their early days and contributed nothing to their career – demanding his share of the action. So it bizarrely mixes the madcap comedy of A Hard Day’s Night – or a late-period Carry On – with the brutal nastiness of a crime thriller like Get Carter. The effect is striking, in its way, but finally somehow depressing in a way that isn’t entirely intentional, and depressing in a way that actually listening to Slade is not. It also shows the unexpected influence of a particular kind of Brit social realism with a generic loyalty to unhappiness.

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