20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

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Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...
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‘My heart broke’: director Ryan Coogler on mourning Chadwick Boseman, rebooting Black Panther and his new movie Sinners

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The highest grossing Black film-maker of all time is known for his superhero movies and reinventing the Rocky franchise. Now he’s made his most personal film yet – and it’s a vampire thriller

We’re supposed to be talking about movies, but Ryan Coogler has family on his mind when we have our video call – parents, siblings, twins, ancestors and, most of all, his two daughters. “It’s all good, kids not up yet,” the director says in his Oakland drawl. He’s speaking from a New York hotel room, the morning after the premiere of his new movie, Sinners. But, sure enough, 10 minutes into our conversation, his daughters, three and five, come into the room and bundle on to his lap. “Aw, here’s my little ones, bro.” A toy boomerang flies into and out of shot. “Daddy’s gotta work,” he patiently explains. Noises off-screen and doors closing.

Anyway, where were we?

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