Animol review – gritty young offenders drama challenges conventional machismo

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Institutional menace and an idealistic take on redemption sit side-by-side in Top Boy actor Ashley Walters’ empathic and occasionally over-earnest film The lawless brutality of a young offender institution is the setting for this British movie written by Marching Powder ’s Nick Love and directed by Ashley Walters. It’s a place where terrified newbies realise they can survive only by abandoning their innocence and decency, and submitting to the gang authority of a psycho top G, naturally involving a horrible loyalty test. This is a place where drugs arrive by drone, where facially tattooed men meet each other’s gaze with a cool opaque challenge in the canteen, and where the cues and balls on the recreation area’s pool table have only one purpose: to give someone a three-month stay in the hospital wing while underpaid guards in lanyards and ill-fitting v-neck jumpers look the other way. Continue reading... from Film | The Guardian https://ift.tt/CLu4l65 via IFTTT
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‘My heart broke’: director Ryan Coogler on mourning Chadwick Boseman, rebooting Black Panther and his new movie Sinners

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The highest grossing Black film-maker of all time is known for his superhero movies and reinventing the Rocky franchise. Now he’s made his most personal film yet – and it’s a vampire thriller

We’re supposed to be talking about movies, but Ryan Coogler has family on his mind when we have our video call – parents, siblings, twins, ancestors and, most of all, his two daughters. “It’s all good, kids not up yet,” the director says in his Oakland drawl. He’s speaking from a New York hotel room, the morning after the premiere of his new movie, Sinners. But, sure enough, 10 minutes into our conversation, his daughters, three and five, come into the room and bundle on to his lap. “Aw, here’s my little ones, bro.” A toy boomerang flies into and out of shot. “Daddy’s gotta work,” he patiently explains. Noises off-screen and doors closing.

Anyway, where were we?

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