The Invite review – A-list ensemble electrify hilarious couples night gone wrong comedy

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Sundance film festival: Olivia Wilde, Seth Rogen, Penelope Cruz and Edward Norton are exceptional in a smart and funny winner about sex, marriage and partner-swapping Not enough people managed to see last year’s self-billed “unromantic comedy” Splitsville , a shame for how tremendously entertaining it was and for what it represents at this given moment. A rigorously well-directed, genuinely funny, relatably messy look at two couples dealing with the maelstrom of non-monogamy, it was the kind of smart, well-crafted film for adults we are constantly complaining we don’t get enough of. I had a similar thrill watching The Invite at its sold-out Sundance premiere on Saturday night. Like that film, it is also about two adult couples negotiating anxieties surrounding sex with other people – and also like that film, it’s really, consistently funny and stylishly directed, made with the kind of care and rigidity that comedies just aren’t afforded now. It doesn’t have the same absurdist slaps...
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‘Pre-sales are bigger than Barbie’: Bridget Jones 4 set to break box office records – despite no US cinema release

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The fourth instalment, Mad About the Boy, on course to become biggest homegrown hit of the year in the UK, but will only be available on streamers stateside

As the Oscars loom, cinemas are bracing themselves for a particular surge of interest in one hotly anticipated title. Bridget Jones: Mad About the Boy, the fourth instalment in the misadventures of Helen Fielding’s hapless romantic, may be unlikely to dominate the Academy Awards, but it is set to clean up at screens across the country over the Valentine’s Day period – and beyond.

“We’re anticipating it to be one of the biggest titles of the year in the UK, the biggest British film of the year, and the biggest box office for the first half of 2025,” says Robert Mitchell, director of theatrical insights at Gower Street Analytics.

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