The Ballad of Suzanne Césaire review – the legacy of a dissident and inspirational surrealist author

Brief film looks at the intense flowering of essays by the Caribbean feminist and anti-imperialist who saw surrealism as a revolutionary mode This brief work from New York film-maker Madeleine Hunt-Ehrlich is the equivalent of a platform performance in the theatre: a look at the works of Caribbean feminist, anti-imperialist and surrealist partisan Suzanne Césaire, played by Zita Hanrot; Hanrot, rather, plays an actress musingly preparing to play her. Césaire’s brief, intense flowering of work occurred in second world war Martinique, then a colony of France, controlled by the collaborationist Vichy government. Paradoxically liberated by this oppressive situation, Césaire co-founded a journal called Tropiques and published an influential series of essays on politics, literature and art, which showed how passionately inspired she was by her encounter with the great surrealist André Breton. Continue reading... from Film | The Guardian https://ift.tt/rx4iLoM via IFTTT

‘Pre-sales are bigger than Barbie’: Bridget Jones 4 set to break box office records – despite no US cinema release

The fourth instalment, Mad About the Boy, on course to become biggest homegrown hit of the year in the UK, but will only be available on streamers stateside

As the Oscars loom, cinemas are bracing themselves for a particular surge of interest in one hotly anticipated title. Bridget Jones: Mad About the Boy, the fourth instalment in the misadventures of Helen Fielding’s hapless romantic, may be unlikely to dominate the Academy Awards, but it is set to clean up at screens across the country over the Valentine’s Day period – and beyond.

“We’re anticipating it to be one of the biggest titles of the year in the UK, the biggest British film of the year, and the biggest box office for the first half of 2025,” says Robert Mitchell, director of theatrical insights at Gower Street Analytics.

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