The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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From Blitz to Gladiator II: the Oscar-aiming films that missed this season

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This year’s nominations were led by smaller, less expected films like The Brutalist, Anora and Emilia Pérez, which left bigger bets in the cold

While films such as Wicked and Dune: Part Two amassed multiple Oscar nominations this year, the Academy’s ongoing embrace of the smaller, less conventional movie pushed a number of more traditional contenders out. From the long-awaited sequel to a best picture winner to an inspirational boxing drama to a music biopic starring an Oscar favourite, here are some of the more primed picks that failed to register:

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