Bone Keeper review – there’s a critter in the caves in serviceable Brit horror

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An unconvincing group of friends is briskly picked off one-by-one while searching for a beastie that hitched a ride to Earth on a meteorite You get the measure early on of the tentacled predator in this British horror film when it makes mincemeat out of a hairy tough-guy Neanderthal. The movie opens with some punching-above-its budget special effects explaining the origins of the flesh-eater, which crash landed on Earth with a meteorite. Like Neil Marshall’s The Descent, it’s a creature that makes its home in caves – though unlike the earlier movie, Bone Keeper lacks a sense of sweat-trickling-down-your-back claustrophobia, despite a couple of good scares. Sarah Alexandra Marks plays Olivia, whose journalist grandfather vanished in the 1970s while investigating reports of a creature in a cave somewhere in the UK. Now years later, Olivia’s mother has disappeared while searching for him. So Olivia heads to the caves with a group of mates, who feel as if they’ve been dreamed up in a 20-...
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‘Uncomfortable truths’: controversial film challenges authorship of famous photo

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The Stringer, which premiered at Sundance, alleges that an incorrect credit was given for iconic ‘Napalm Girl’ picture

A controversial new documentary that premiered at the Sundance film festival on Saturday night disputes the authorship of one of the most famous press photographs ever taken, challenging 50-plus years of accepted history.

In The Stringer, directed by Bao Nguyen, a group of journalists and investigators claim that the photograph colloquially known as Napalm Girl – an indelible image of American war in Vietnam that galvanized the anti-war movement in the US – was not taken by Nick Ut, the Associated Press staff photographer long ascribed credit by the news group.

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