Why F1 the Movie should win the best picture Oscar

It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...

‘Uncomfortable truths’: controversial film challenges authorship of famous photo

The Stringer, which premiered at Sundance, alleges that an incorrect credit was given for iconic ‘Napalm Girl’ picture

A controversial new documentary that premiered at the Sundance film festival on Saturday night disputes the authorship of one of the most famous press photographs ever taken, challenging 50-plus years of accepted history.

In The Stringer, directed by Bao Nguyen, a group of journalists and investigators claim that the photograph colloquially known as Napalm Girl – an indelible image of American war in Vietnam that galvanized the anti-war movement in the US – was not taken by Nick Ut, the Associated Press staff photographer long ascribed credit by the news group.

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