Why F1 the Movie should win the best picture Oscar

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It may not be in pole position, but Brad Pitt and director Joseph Kosinski’s sleek, technically inventive ode to motor racing definitely qualifies for the Academy podium Could, should, would F1 the Movie win the best picture Oscar? Well, we have to be realistic here: F1 is currently a massive outsider, at 200-1 along with The Secret Agent , which has no chance either but for very different reasons. It’s not hard to see why: this is a swaggeringly mainstream film, where tech and branding dwarf the human input, with the film itself acting as a front-end battering ram for a sports organisation desperate to break into the promised land of the US auto racing circuit. (I mean it’s right there in the title.) So even the most reactionary, conservative Academy voter is going to find it hard to mark F1 with their tick. So no, I don’t think it could win. That’s not to say F1 doesn’t have quite a bit going for it. The Oscars, as we know, have historically had a problem with so-called “popular” ...
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The Brutalist and Emilia Perez’s voice-cloning controversies make AI the new awards season battleground

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Two leading contenders for Oscars this year have revealed use of artificial intelligence in the editing suite – will it affect their chances?

The use of artificial intelligence could become a ferocious battleground during movie awards season, as at least two major contenders were revealed to have used voice-cloning to enhance actors’ performances.

In an interview with moving-image tech publication Red Shark News, The Brutalist editor Dávid Jancsó said that, in an effort to create Hungarian dialogue so perfect “that not even locals will spot any difference”, Jancsó fed lead actors Adrien Brody and Felicity Jones’s voices into AI software, as well his own.

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