Bone Keeper review – there’s a critter in the caves in serviceable Brit horror

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An unconvincing group of friends is briskly picked off one-by-one while searching for a beastie that hitched a ride to Earth on a meteorite You get the measure early on of the tentacled predator in this British horror film when it makes mincemeat out of a hairy tough-guy Neanderthal. The movie opens with some punching-above-its budget special effects explaining the origins of the flesh-eater, which crash landed on Earth with a meteorite. Like Neil Marshall’s The Descent, it’s a creature that makes its home in caves – though unlike the earlier movie, Bone Keeper lacks a sense of sweat-trickling-down-your-back claustrophobia, despite a couple of good scares. Sarah Alexandra Marks plays Olivia, whose journalist grandfather vanished in the 1970s while investigating reports of a creature in a cave somewhere in the UK. Now years later, Olivia’s mother has disappeared while searching for him. So Olivia heads to the caves with a group of mates, who feel as if they’ve been dreamed up in a 20-...
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The Brutalist and Emilia Perez’s voice-cloning controversies make AI the new awards season battleground

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Two leading contenders for Oscars this year have revealed use of artificial intelligence in the editing suite – will it affect their chances?

The use of artificial intelligence could become a ferocious battleground during movie awards season, as at least two major contenders were revealed to have used voice-cloning to enhance actors’ performances.

In an interview with moving-image tech publication Red Shark News, The Brutalist editor Dávid Jancsó said that, in an effort to create Hungarian dialogue so perfect “that not even locals will spot any difference”, Jancsó fed lead actors Adrien Brody and Felicity Jones’s voices into AI software, as well his own.

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