The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...

The Brutalist and Emilia Perez’s voice-cloning controversies make AI the new awards season battleground

Two leading contenders for Oscars this year have revealed use of artificial intelligence in the editing suite – will it affect their chances?

The use of artificial intelligence could become a ferocious battleground during movie awards season, as at least two major contenders were revealed to have used voice-cloning to enhance actors’ performances.

In an interview with moving-image tech publication Red Shark News, The Brutalist editor Dávid Jancsó said that, in an effort to create Hungarian dialogue so perfect “that not even locals will spot any difference”, Jancsó fed lead actors Adrien Brody and Felicity Jones’s voices into AI software, as well his own.

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