The Triptych of Mondongo review – one part art documentary, two parts directorial megalomania

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What begins as a portrait of Argentinian art collective Mondongo snowballs into Mariano Llinás’s infuriatingly brilliant farrago of colour, conflict and existential crisis About as inside-baseball for visual arts as you can get, Mariano Llinás’s three-part portrait of Argentinian art collective Mondongo is knackering, infuriating and, infuriatingly, often brilliant – especially in its more sincere second instalment. The film nominally tries to document Mondongo’s 2021 Baptistery of Colours project , in which the artists catalogued the chromatic spectrum with plasticine blocks inside a dodecahedron chapel. But it quickly snowballs into Llinás’s own scattershot inquiry into colour and portraiture, a tone poem that ceaselessly interrogates its own tones, a crisis of faith about representation, and – as he falls out with artists Juliana Laffitte and Manuel Mendanha – a droll depiction of a director’s nervous breakdown. As Laffitte lets fly at him at one point, Llinás can never resist the...
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‘Long way to go’ on gender parity in film and TV industry, Bafta chair says

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Sara Putt cites lack of access and retention in an increasingly precarious industry

There is still a “long way to go” to achieve gender parity in the film and television industry, Sara Putt, the chair of Bafta has said, before the nominees’ announcement this week.

The talent agent and producer, who took over as chair of Bafta in 2023, said the low representation of women in the awards’ most prestigious categories was reflective of a lack of access to and retention in an industry that has become increasingly precarious.

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