Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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‘I had to make the vampire as scary as possible’: Nosferatu’s Robert Eggers on how folklore fuelled his film

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The director of the latest movie in the bloodsucker tradition explains why he went back to the Transylvanian source for his version of one of cinema’s enduring adaptations

We are all drawn to archetypal stories. Fairytales, folktales, fables, myths: we tell them over and over again because they always have meaning in our lives. We can always see reflections of ourselves in Hansel and Gretel, Oedipus and King Lear. They can mean different things at different stages of our lives and be interpreted in different ways by individuals sitting in the same audience.

Bram Stoker’s Dracula is among them. It one of the most influential novels of the turn of the last century and, along with the stories of Sherlock Holmes and Jesus Christ, among the most adapted works in cinema history.

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