Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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‘I had to make the vampire as scary as possible’: Nosferatu’s Robert Eggers on how folklore fuelled his film

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The director of the latest movie in the bloodsucker tradition explains why he went back to the Transylvanian source for his version of one of cinema’s enduring adaptations

We are all drawn to archetypal stories. Fairytales, folktales, fables, myths: we tell them over and over again because they always have meaning in our lives. We can always see reflections of ourselves in Hansel and Gretel, Oedipus and King Lear. They can mean different things at different stages of our lives and be interpreted in different ways by individuals sitting in the same audience.

Bram Stoker’s Dracula is among them. It one of the most influential novels of the turn of the last century and, along with the stories of Sherlock Holmes and Jesus Christ, among the most adapted works in cinema history.

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