Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight

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Hersh’s record on uncovering the big stories, from My Lai to Abu Ghraib, speaks for itself. This documentary watches him at work: dogged, nonconformist and combative Renowned investigative journalist Seymour Hersh was never played in a film by Robert Redford or Dustin Hoffman, like the Washington Post’s Bob Woodward and Carl Bernstein. But as this documentary portrait argues, he’s probably more important than either. Hersh has a longer record of breaking big stories, from the My Lai massacre in Vietnam to torture by US army personnel at Abu Ghraib prison in Iraq – the latter a historic scoop underscored by the stomach-turning photos which Hersh brought to light. Hersh is asked if Abu Ghraib would have been the story it was without those pictures and replies: “No pictures, no story.” Well, maybe. But his other scoops had no pictures of this kind. One incidental thing Abu Ghraib showed was how ubiquitous digital photography became at the beginning of the century; how easy it was to take...
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Silvia Pinal, star of Mexico’s Golden Age of film, dies aged 93

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Over a career that spanned seven decades, Pinal was a muse to director Luis Buñuel, appearing in 60s classics such as Viridiana

Silvia Pinal, an actor from Mexico’s Golden Age of cinema and muse to the director Luis Buñuel, has died aged 93.

Pinal got her start in theatre in the 1940s, working with the director Rafael Banquells – the first of her four husbands. She became a star in 1950 aged 18, when she appeared opposite two of Mexico’s biggest comedic film stars: Germán Valdés (Tin-Tan) in The King of the Neighborhood and Mario Moreno (Cantinflas) in The Doorman. In 1952 she appeared alongside heartthrob Pedro Infante in A Place Near Heaven.

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