The director’s witty supernatural thriller joins Psycho, Hereditary, The Brutalist and more – films in which buildings are characters in their own right The first more-or-less horror movie in the lengthy, genre-skimming career of director Steven Soderbergh , Presence is a film about grief, trauma, familial dysfunction and abusive masculinity. But it’s also, to a significant and compelling extent, about property. Beginning with a family’s first viewing of a handsome Victorian home in an unidentified stretch of suburbia, the film never ventures outside its walls for the next 85 minutes, as the ensuing chills make us consider the merits of that purchase. Wittily and unnervingly shot from the perspective of the restless spirit roaming its halls, it’s a haunted house film in which much of the tension feels determined by the shape and flow and light and shade of the house itself. It’s a while since I’ve seen a film where I could quite so exactly draw the floor plan of its primary location,...
Ridley Scott says Denzel Washington’s same-sex kiss in Gladiator II ‘didn’t happen’
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Washington also rolled back on his earlier claim the scene was cut from the film, calling the kiss a ‘peck’
The director of Gladiator II has denied claims by its star, Denzel Washington, that a same-sex kiss was cut from the final version of the film.
Speaking last week, Washington – who plays a bisexual slave trader in the film – said: “I actually kissed a man in the film but they took it out, they cut it, I think they got chicken. I kissed a guy full on the lips and I guess they weren’t ready for that yet.”
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