‘People didn’t like women in space’: how Sally Ride made history and paid the price

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Ride was the first US woman in space – but a National Geographic documentary looks at how she was forced to hide her queerness to succeed A week before Sally – a documentary about the first American woman to fly into space – landed at the Sundance film festival in January, Nasa employees received emails informing them how Donald Trump’s diversity, equity and inclusion (DEI) rollbacks would take effect. Contracts and offices associated with DEI programs were to be terminated. Staff were given Orwellian instruction to inform the government of any attempt to disguise inclusion efforts in “coded or imprecise language”. In the weeks to follow, Nasa would take back its promise to send the first woman and person of color to the moon’s surface. Meanwhile, employees are reported to be hiding their rainbow flags and any other expressions of solidarity with the LGBTQ+ community, allegedly because they were instructed to do so though Nasa denies those claims. Continue reading... from Film |...
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Iranian artist Maryam Tafakory wins the 2024 Film London Jarman award

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Tafakory’s blend of reality and fiction is ‘a compelling exploration of displacement, memory and resistance’ according to the judging panel

Iranian artist Maryam Tafakory has won this year’s Film London Jarman award, which recognises British excellence in the field of moving image.

Tafakory took the £10,000 prize for her work, which combines found footage with the cinematic traditions of post-revolutionary Iran. Her 2020 film Irani Bag used a split-screen technique to show how handbags were often deployed in films as stand-ins for human touch. The censorship of intimacy is a theme through Tafakory’s work – from the abstract, non-linear narrative film Nazarbazi (2022) to the following year’s Mast-del, which explored a forbidden relationship between two women.

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