Cover-Up review – atrocity exposer Seymour Hersh, journalist legend, gets a moment in the spotlight

Hersh’s record on uncovering the big stories, from My Lai to Abu Ghraib, speaks for itself. This documentary watches him at work: dogged, nonconformist and combative Renowned investigative journalist Seymour Hersh was never played in a film by Robert Redford or Dustin Hoffman, like the Washington Post’s Bob Woodward and Carl Bernstein. But as this documentary portrait argues, he’s probably more important than either. Hersh has a longer record of breaking big stories, from the My Lai massacre in Vietnam to torture by US army personnel at Abu Ghraib prison in Iraq – the latter a historic scoop underscored by the stomach-turning photos which Hersh brought to light. Hersh is asked if Abu Ghraib would have been the story it was without those pictures and replies: “No pictures, no story.” Well, maybe. But his other scoops had no pictures of this kind. One incidental thing Abu Ghraib showed was how ubiquitous digital photography became at the beginning of the century; how easy it was to take...

Iranian artist Maryam Tafakory wins the 2024 Film London Jarman award

Tafakory’s blend of reality and fiction is ‘a compelling exploration of displacement, memory and resistance’ according to the judging panel

Iranian artist Maryam Tafakory has won this year’s Film London Jarman award, which recognises British excellence in the field of moving image.

Tafakory took the £10,000 prize for her work, which combines found footage with the cinematic traditions of post-revolutionary Iran. Her 2020 film Irani Bag used a split-screen technique to show how handbags were often deployed in films as stand-ins for human touch. The censorship of intimacy is a theme through Tafakory’s work – from the abstract, non-linear narrative film Nazarbazi (2022) to the following year’s Mast-del, which explored a forbidden relationship between two women.

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