Al Djanat: The Original Paradise review – striking account of Burkina Faso homecoming

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Chloé Aïcha Boro’s watchful documentary charts the disharmony and legal wrangling caused by a dispute in her family over sacred burial land Economic and financial woes cast a dark shadow over family bonds in Chloé Aïcha Boro’s contemplative, searching documentary. Returning to her Burkina Faso village after decades of living in France, Boro experiences an emotional paradox intimately known by all immigrants. Once-familiar places turn foreign, since the migrator has undergone huge internal changes of their own. And with the recent passing of her uncle Ousmane Coulibaly, the head of her extended Muslim family, Boro’s homecoming is marred by disharmony. Between Coulibaly’s brothers and his 19 children, warring interests over inherited land rage on. The film returns time and again to a sacred courtyard where, for centuries, the umbilical cords of Coulibaly newborns have been buried to ensure their ascendence to heaven in the afterlife. More than a ritual, the tradition concretises the li...
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Effortless skill, mixed salads and a certain impatience with life: Michael Palin remembers Maggie Smith

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Smith’s costar in two 80s comedies shares his memories of an actor blessed with an instinctive grasp of her craft

To work with Maggie Smith, as I did in The Missionary and A Private Function, was to be in the presence of pure acting gold. Maggie was so skilful and intuitive. She could portray the maximum of emotion with the minimum of effort. Nothing was ever wasted with Maggie.

The slightest glance could contain so much information, the smallest gesture be loaded with such significance that you had to be absolutely on your toes to stay with her. The two films we made together were comedies, and Maggie’s impeccable comic timing was an absolute joy to watch and a privilege to be part of.

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