Infinite Icon: A Visual Memoir review – Paris Hilton’s act of self-love shows there’s nothing behind the mask

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A look behind the scenes of the star’s second album turns out to reveal exactly what you’d expect, at arduous length Paris Hilton here presents us with an unbearable act of docu-self-love, avowedly a behind-the-scenes study of her second studio album, Infinite Icon, and where she’s at as a musician, survivor and mom. But maybe there is, in fact, nothing behind the scenes; judging by this, the scenes are all there is: Insta-exhibitionism, empty phrases and show. Hilton’s second album no doubt has its admirers and detractors, and her fans are perfectly happy with it. But this film, for which she is executive producer, is an indiscriminate non-curation of narcissism and torpid self-importance that seems to go on and on and on for ever; the longest two hours of anyone’s life, finally signing off with a splodge of uninteresting and unedited concert footage. Continue reading... from Film | The Guardian https://ift.tt/BNvDRxa via IFTTT
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Effortless skill, mixed salads and a certain impatience with life: Michael Palin remembers Maggie Smith

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Smith’s costar in two 80s comedies shares his memories of an actor blessed with an instinctive grasp of her craft

To work with Maggie Smith, as I did in The Missionary and A Private Function, was to be in the presence of pure acting gold. Maggie was so skilful and intuitive. She could portray the maximum of emotion with the minimum of effort. Nothing was ever wasted with Maggie.

The slightest glance could contain so much information, the smallest gesture be loaded with such significance that you had to be absolutely on your toes to stay with her. The two films we made together were comedies, and Maggie’s impeccable comic timing was an absolute joy to watch and a privilege to be part of.

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