Al Djanat: The Original Paradise review – striking account of Burkina Faso homecoming

-
Chloé Aïcha Boro’s watchful documentary charts the disharmony and legal wrangling caused by a dispute in her family over sacred burial land Economic and financial woes cast a dark shadow over family bonds in Chloé Aïcha Boro’s contemplative, searching documentary. Returning to her Burkina Faso village after decades of living in France, Boro experiences an emotional paradox intimately known by all immigrants. Once-familiar places turn foreign, since the migrator has undergone huge internal changes of their own. And with the recent passing of her uncle Ousmane Coulibaly, the head of her extended Muslim family, Boro’s homecoming is marred by disharmony. Between Coulibaly’s brothers and his 19 children, warring interests over inherited land rage on. The film returns time and again to a sacred courtyard where, for centuries, the umbilical cords of Coulibaly newborns have been buried to ensure their ascendence to heaven in the afterlife. More than a ritual, the tradition concretises the li...
Post a Comment

The return of Beetlejuice, Gladiator, Paddington and the Joker – the best films of autumn 2024

-

Michael Keaton and Winona Ryder are back for more exorcisms and Hugh Grant continues his dive into the dark side in Heretic as the new season’s cinema offerings are unspooled

All release dates are UK and subject to change

Tim Burton’s fantasy horror-comedy, with Michael Keaton as the anarchic supernatural exorcist Beetlejuice, was a big hit in the 1980s. Now, Burton returns with a sequel and the promise (or threat) of a franchise. Keaton is back as the titular character and Winona Ryder, once the tricky teenager, has a difficult daughter of her own, played by Jenna Ortega.
6 September

Continue reading...

from Film | The Guardian https://ift.tt/HZVnqtN
via IFTTT

Comments

Post a Comment

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

-
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
Read more

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
Read more

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast

-
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Read more