‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master

Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism In Death Has No Master, Asia Argento stars as an anxious foreigner in Venezuela. Her character, Caro, is on a harried mission to reclaim inherited property from the local caretakers who still reside there. That’s the setup in a surrealist psychological thriller, in which Venezuelan-Canadian film-maker Jorge Thielen Armand unpacks personal history alongside deep-rooted and “eternal” tensions that still affect the country today. “The film has multiple layers of meaning,” says Armand, ahead of the film’s premiere in the director’s fortnight section at Cannes. “Recent events only make those multitudes greater.” Continue reading... from Film | The Guardian https://ift.tt/VutlFjb via IFTTT

The secret to living longer: join a club

The documentary Join or Die examines the decline of organizations in America – and how it’s fueled a national crisis

Between the 1970s and 1990s, the number of Americans who attended a single local civic meeting in a year plummeted by 40%. The number who went to a single meeting of a club – say, the Rotary or a local tennis team – dropped by 50%. Even the number of picnics Americans joined dropped by 60%. And as the social scientist Robert Putnam has been telling us for decades, this matters – in fact, it may be a question of life or death.

That’s because, as Putnam has told audiences, “your chances of dying over the next year are cut in half by joining one group.” And it’s not just a matter of our own health – it’s about the health of democracy itself.

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