‘It deals with my own blood, my inheritance’: Asia Argento on historical trauma in Death Has No Master

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Cannes film festival: The actor’s role in Jorge Thielen Armand’s Venezuela-set surrealist thriller explores deep-rooted tensions of ownership and colonialism In Death Has No Master, Asia Argento stars as an anxious foreigner in Venezuela. Her character, Caro, is on a harried mission to reclaim inherited property from the local caretakers who still reside there. That’s the setup in a surrealist psychological thriller, in which Venezuelan-Canadian film-maker Jorge Thielen Armand unpacks personal history alongside deep-rooted and “eternal” tensions that still affect the country today. “The film has multiple layers of meaning,” says Armand, ahead of the film’s premiere in the director’s fortnight section at Cannes. “Recent events only make those multitudes greater.” Continue reading... from Film | The Guardian https://ift.tt/VutlFjb via IFTTT
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Credit at last for female screenwriter airbrushed from Hollywood history

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Despite her activism during the golden age of cinema, Mary C McCall Jr was all but forgotten. Now a new book is about to set the record straight

To screenwriters in the 1950s, she was a major power player, fighting for pay rises and striking rights. To the Hollywood studio heads, she was “the meanest bitch in town”.

Now, a new book aims to restore Mary C McCall Jr’s reputation as one of the film industry’s most important figures, a trailblazer who was airbrushed from history after getting on the wrong side of movie moguls.

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