The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

Paris arthouse cinema La Clef to reopen after buyout from squatters’ collective

Filmmakers and students evicted by police in 2022 make a triumphant return to the historic venue after raising funds to buy it for €2.7m

Two years after being evicted by Paris police, a collective of students and film-industry professionals returned to the arthouse cinema they had occupied from 2019 to 2022 on Thursday to reinstall the wheels of a 35mm projector.

The crucial difference is that this time they did so as legal owners of the keys to the 600 sq metre community cinema in the French capital’s Latin quarter, appropriately called La Clef (The Key).

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