The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Neil Jordan claims ex-taoiseach told him of money-for-endorsement agreement

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Irish director says Garret FitzGerald said he was expecting payment from Warner Bros for endorsing Michael Collins biopic – which son refutes

When the Irish film director and screenwriter Neil Jordan’s biopic of Michael Collins was released in 1996, it unleashed criticism from historians and politicians who contested its depiction of the rebel leader and Ireland’s war of independence.

Some disputed Liam Neeson’s portrayal of the doomed, charismatic guerrilla chief and his romance with a character played by Julia Roberts. Others cited inaccuracies in the film’s depiction of the 1919-21 conflict with Britain and ensuing Irish civil war.

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