The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Every Little Thing review – hummingbird documentary shimmers with the best of humanity

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This film about an avian rescuer is a densely layered meditation on love, resilience and letting go

Encounters with hummingbirds are not easily forgotten. I vividly remember my first, on a visit to Los Angeles 15 years ago: walking the streets of Beverly Hills, it buzzed towards me like a supersized bee, eyeballed me, pivoted, and zipped across the road, leaving me slack-jawed with wonder that something so miraculous could even exist.

Miracles abound in Australian director Sally Aitken’s film Every Little Thing, which is inspired by Terry Masear’s 2016 book Fastest Things on Wings. Masear, who has dedicated her home (also in Beverly Hills) to the rehabilitation of injured hummingbirds for 18 years, is the star. But it’s the supporting cast she cares for that will capture hearts.

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