‘There was a lot of addiction and trauma in my family’: why Drag Race winner Jinkx Monsoon plays a perfect Judy Garland

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As she takes on the icon in musical drama End of the Rainbow, Monsoon recalls a childhood spent watching Wizard of Oz on repeat – and explains why audiences are ready for trans performers in non-trans roles If these are strange times in America, they are particularly strange for Jinkx Monsoon, the 38-year-old actor, singer and drag artist who, since winning RuPaul’s Drag Race in 2013 and Drag Race All Stars in 2022, has become a huge breakout star. Monsoon, who has the white-lead-and-vinegar glamour of a 1930s movie star, has appeared on Broadway, at Carnegie Hall and in countless viral clips from Drag Race – and in other words is widely well known. And yet, she says, when she walks down the street in certain American cities, it is in a state of “not knowing if someone’s going to recognise me and be excited to see me, or recognise something about me and be hostile. It’s a really interesting dichotomy.” She lets out a huge laugh. “But it also keeps me humble, I gotta say.” We are back...
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‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic

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The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity

For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.

“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”

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