Damian Lewis: ‘Someone put flowers at my feet and I realised it was my stalker’

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The actor on bloodcurdling stage experiences, back yard cricket and the best advice he’s ever received Get our weekend culture and lifestyle email In the spirit of your role as Lord Davenport in Fackham Hall – what is the poshest thing you have ever done? Taking a helicopter to Royal Ascot. That is one of the poshest things I have done. I became aware of how posh it was when I started calming down and realised I wasn’t going to fall out of it. Continue reading... from Film | The Guardian https://ift.tt/kCc1qpS via IFTTT
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‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic

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The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity

For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.

“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”

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