Don 3 controversy: Ram Gopal Varma SLAMS “kangaroo court” FWICE over non-cooperation directive against Ranveer Singh; calls the decision “a massive PR Disaster”

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Filmmaker Ram Gopal Varma has weighed in on the ongoing controversy involving Ranveer Singh, Excel Entertainment, and the Federation of Western India Cine Employees (FWICE) over Don 3. The director took to X (formerly Twitter) to share his views on the dispute, expressing support for Ranveer Singh and questioning FWICE's decision to issue a non-cooperation directive against the actor. The controversy began after reports emerged that Ranveer Singh had exited Don 3, leading to a dispute with producers Farhan Akhtar and Ritesh Sidhwani's Excel Entertainment. According to reports, the production house alleged that the actor's withdrawal resulted in losses of nearly Rs 45 crores due to pre-production work, location scouting, and other development expenses. Following the disagreement, FWICE reportedly issued multiple notices to Ranveer Singh, asking him to present his side of the matter. After the actor's legal team questioned the federation's jurisdiction over a private...
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‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic

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The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity

For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.

“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”

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