Malamaal Weekly 2 EXCLUSIVE: Riteish Deshmukh, Elvish Yadav, Paresh Rawal and Rajpal Yadav locked in leads, shoot begins in November

In February, Bollywood Hungama exclusively revealed that Priyadarshan’s 2006 comedy Malamaal Weekly is getting a sequel. Since then, we have been regularly updating about the film and we recently also unveiled the leading female cast, which includes Parineeti Chopra, Raveena Tandon and Shilpa Shirodkar. Now, we can reveal the male leads of the project. Bollywood Hungama has exclusively learned that Riteish Deshmukh, Elvish Yadav, Paresh Rawal and Rajpal Yadav have been locked for Malamaal Weekly 2. Though Riteish is leading the film, sources close to the production have said that he is still reading the script and is yet to sign on the dotted line. The sequel is moving ahead with the original trio of Riteish, Paresh and Rajpal returning for the leads, along with Elvish Yadav joining as a new casting addition to the principal cast. Yadav is a popular YouTube content creator and the winner of Big Boss OTT Season 2 (2023), and this film will mark his second Bollywood outing following his...

‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic

The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity

For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.

“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”

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