EXCLUSIVE: Siddharth Anand shares a special moment with Gurudev Sri Sri Ravi Shankar; says “White is the story of the GLORY of India”

In a significant meeting on January 20, India’s premier blockbuster filmmaker Siddharth Anand met global spiritual leader Gurudev Sri Sri Ravi Shankar along with producer Mahaveer Jain. Both Siddharth Anand and Gurudev Sri Sri Ravi Shankar have had several conversations before but this meeting was special. It was held in an atmosphere of deep reflection and vision, centred around the upcoming international thriller White, a project that marks a unique milestone in Indian cinema. The film, which features National Award winner Vikrant Massey alongside an international cast, is inspired by the incredible true story of the 52-year-long civil conflict in Colombia and its historic resolution through non-violence and peace. Reflecting on the film’s vision after his meeting with Gurudev, Siddharth Anand shared his excitement for the film, “In many ways, White is the story of the glory of India. At a time when the world is grappling with unprecedented division, this film is truly the need of ...

‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic

The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity

For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.

“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”

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