The India Story trailer out! Kajal Aggarwal and Shreyas Talpade take on pesticide farming crisis in hard-hitting social drama

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The makers of The India Story: Slow Poison in Progress have unveiled the official trailer of the upcoming social drama, offering a glimpse into a story centred around the issue of pesticide farming and its impact on society. Starring Kajal Aggarwal and Shreyas Talpade in the lead, the film aims to bring attention to a subject that affects millions while weaving it into a dramatic narrative of truth, justice and resilience. The trailer hints at an emotionally charged story that follows characters caught in the middle of a larger crisis, while raising questions about the long-term effects of pesticide farming. With its blend of courtroom drama, social commentary and emotional conflict, the film seeks to spotlight an issue that often remains overlooked. Speaking about the film, director Chettan DK said, "The India Story is more than just a film—it's a conversation we need to have. Through this story, we wanted to shine a light on an issue that silently impacts every household. T...
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‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic

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The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity

For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.

“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”

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