Karan Johar, Vicky Kaushal, Ananya Panday and others attend day 2 of the 100-year celebration event of RSS in Mumbai

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The Rashtriya Swayamsevak Sangh (RSS) completed 100 years in 2025. As part of its centenary celebrations, a grand two-day event is being held at a sprawling auditorium in Mumbai. The first day of the event took place on Saturday, February 7, with several prominent personalities from various fields in attendance. The Bollywood film fraternity was not far behind and many celebs attended the first day of the event like superstars Salman Khan and Ranbir Kapoor, filmmakers Mohit Suri, Subhash Ghai, Nitesh Tiwari, Mahaveer Jain, Om Raut, Vikram Malhotra, lyricist Prasoon Joshi and others. The second day of the event was also star-studded. While Ranbir attended the first day of the event, his Love & War co-star Vicky Kaushal made his presence felt on day 2. Karan Johar and Ananya Panday were also present and they were joined by veteran actor Jackie Shroff, the evergreen Raveena Tandon and Shilpa Shetty, music composer Pritam Chakraborty, singer Adnan Sami, television star Rupali Ganguly,...
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‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic

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The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity

For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.

“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”

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