Bhushan Kumar and Anurag Singh announce exclusive joint venture after the blockbuster box office response for Border 2

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In a major development for Bollywood, producer Bhushan Kumar and filmmaker Anurag Singh have officially joined hands for an exclusive joint venture aimed at developing multiple large-scale films. The announcement comes close on the heels of the massive success of Border 2, which has not only struck a chord with audiences but also emerged as one of the biggest box office drivers of early 2026. The association between Bhushan Kumar and Anurag Singh is being envisioned as a long-term creative partnership. Under the joint venture, Anurag Singh will helm the upcoming projects, while the films will be produced under the banner of T-Series Films, continuing the collaborative framework that proved successful with Border 2. Industry sources suggest that the focus will remain on scale-driven, emotionally rooted cinema designed for theatrical impact. Border 2, which released on January 23 in the Republic Day week, arrived at a time when patriotic fervour traditionally runs high across the count...
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‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic

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The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity

For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.

“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”

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