Fjord review - Cristian Mungiu at sea with strange child abuse drama starring Renate Reinsve and Sebastian Stan

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Cannes film festival: The Palme laureate here makes a misstep with an odd, disquieting film that leaves too many issues unresolved Romanian director and Palme laureate Cristian Mungiu – the winner here in 2007 with his stunning 4 Months, 3 Weeks and 2 Days – comes to Cannes with an anticlimactic, underpowered movie which it seems to me could be part of an odd phenomenon at this year’s festival, detectable also in films here by Kantemir Balagov and Ryusuke Hamaguchi: auteurs making coproduction movies outside their home turf and mother tongue with big foreign stars, perhaps as a result of creative conversations at international film festivals with admirers from all over the world – and losing focus. Fjord is an odd film, bearing Mungiu’s signature, certainly, with enigmatic long shots and avoidance of closeups, and one very distinctive crowding of faces in a dinner-scene tableau. But the ostensible pain and trauma of its story is conveyed without the rewarding complexity that we have...
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‘I want to make movies for my people’: Jane Schoenbrun on making a soon-to-be cult classic

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The writer-director’s film I Saw the TV Glow brings together themes of fandom, pop culture obsession and trans identity

For the writer-director Jane Schoenbrun, making their highly anticipated follow-up to the breakout indie horror We’re All Going to the World’s Fair was a starkly different process. While their debut cost about $100,000 to make and felt like the result of 10 people running wild in the woods somewhere, far off the grid, I Saw the TV Glow was something else entirely: a budget larger than anything they had worked with before, a giant machine where everything had to move in careful synchronization.

“It was so different that it was almost like working in a different medium,” Schoenbrun said. “I really tried to take advantage of that with this film. I tried to make something that could be like almost painted. So many images in this film were so labored over.”

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