Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...

‘I burned out – and started mowing lawns’: a reality-bending chat with Harmony Korine

He rocketed to notoriety at 19 with the shocking film Kids. Now, at 51, he’s smoking two fat cigars for breakfast – and making retina-burning work with acids and infrared cameras. Our writer gets deep with the eternal enfant terrible

Have you ever wondered whether the interview you’re about to read is actually real? Are you reading it thanks to your own free will, or are you merely set on a preprogrammed course that’s entirely out of your control? Is everything just code? Are we a simulation?

These are the questions that arise when you spend an hour with director and artist Harmony Korine, who is the first interviewee I’ve ever had respond to one of my questions by wondering whether or not I actually exist.

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