The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Dabney Coleman obituary

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Prolific actor who, in 1980s films such as 9 to 5 and Tootsie, came to define the misogynistic archetype of a generation

In the 1980 office comedy hit film 9 to 5, Jane Fonda, as one of three long-suffering office workers subjected to endless harassment by their male chauvinist boss, played by Dabney Coleman, eventually gets to call him a “sexist, egotistical, lying, hypocritical, bigot”, albeit in her imagination. These epithets could apply to a majority of the many roles played by Coleman, who has died aged 92.

With thinning hair and a fleshy, seemingly friendly face, adorned more often than not with a sly moustache, Coleman made his long career portraying deceptively ordinary, slippery bastards. He played “the man you love to hate” in both dramas and comedies in a similar straight fashion.

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