Sense and Sensibility review – blue-chip cast decorates Emma Thompson’s pleasurable Austen adaptation

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Thirty years later, this richly enjoyable film is back with its quality lineup including Kate Winslet and Hugh Grant alongside Thompson herself Emma Thompson won a screenplay Oscar for this buoyant, vibrant, richly enjoyable adaptation of Jane Austen’s novel. Released in 1995, it was directed by Ang Lee and is a movie with the pleasures of a golden age studio picture of the kind made by William Wyler. It was the second half of Thompson’s Oscar double – she won her first one in 1993 for acting in Howards End – and she is still the only person in Academy Award history to win for acting and writing. With marvellous lightness and gaiety, Thompson found a response to Austen’s comic register, expertly marrying it up to the romance, and 1995 now looks like the golden age of Austen adaptation, having also seen the Colin Firth/Jennifer Ehle Pride and Prejudice on television and Amy Heckerling’s Emma-homage Clueless at the movies. Thompson paid due attention to Austen’s unique and toughly real...
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Anora is a vivacious Cannes victor and a fitting end to a radically romantic festival

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Sean Baker’s story of an erotic dancer who marries a Russian oligarch makes a terrific surprise Palme d’Or winner – though more reward for Mohammad Rasoulof might have felt better

This was a Cannes that turned out to be about love, and the Palme d’Or went to a love story that knocks down the whole idea of a Cinderella romance, while also, in some mysterious and delicate way, passionately believing in it.

Sean Baker’s Anora is superbly acted by its star, Mikey Madison, who plays an erotic dancer and escort in New York called Ani (short for Anora) who finds herself in an exclusive commercial relationship with the wastrel son of a Russian oligarch, called Ivan, played by Mark Eidelstein.

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