The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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UK indie films will ‘die’ without fiscal aid, Ken Loach producer says

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Rebecca O’Brien, award-winning collaborator on Loach's films, raised urgent warnings at a select committee inquiry into the industry

The Bafta-winning producer behind Ken Loach’s acclaimed films has warned that the UK indie film sector will “die” without additional fiscal support.

Appearing in front of a session of the Culture, Media and Sport Committee’s inquiry into British film and high-end TV, Rebecca O’Brien – who runs the production company Sixteen Films with Loach and screenwriter Paul Laverty – raised urgent concerns about the state of the industry.

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