Resurrection review – fascinating phantasmagoria is wild riddle about new China and an old universe

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In Bi Gan’s ambitious alternate reality, where humans can live indefinitely, a reincarnating dissident dreamer travels through history in different guises Bi Gan’s new movie in Cannes is bold and ambitious, visually amazing, trippy and woozy in its embrace of hallucination and the heightened meaning of the unreal and the dreamlike. His last film Long Day’s Journey Into Night from 2018 was an extraordinary and almost extraterrestrial experience in the cinema which challenged the audience to examine what they thought about time and memory; this doesn’t have quite that power, being effectively a portmanteau movie, some of whose sections are better than others – though it climaxes with some gasp-inducing images and tracking shots and all the constituent parts contribute to the film’s aggregate effect. Resurrection is, perhaps, a long night’s journey to the enlightenment of daybreak; it finishes at a club called the Sunrise. It is also an episodic journey through Chinese history, finishi...
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Steve Coogan and makers of The Lost King sued by academic over his portrayal in the film

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The former deputy registrar of the University of Leicester claims the 2022 movie presented him as ‘dismissive, patronising and misogynistic’

A former deputy registrar of the University of Leicester is suing the makers of the 2022 film The Lost King, claiming it presented him as “dismissive, patronising and misogynistic”.

Richard Taylor was played by Lee Ingleby in the film, which is about the discovery of the remains of Richard III in a car park in Leicester in 2012, more than 500 years after his death. At a hearing in London on Thursday, Taylor’s barrister, William Bennett KC, asserted that his client was portrayed as “devious”, “weasel-like” and a “suited bean-counter”.

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