The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Steve Coogan and makers of The Lost King sued by academic over his portrayal in the film

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The former deputy registrar of the University of Leicester claims the 2022 movie presented him as ‘dismissive, patronising and misogynistic’

A former deputy registrar of the University of Leicester is suing the makers of the 2022 film The Lost King, claiming it presented him as “dismissive, patronising and misogynistic”.

Richard Taylor was played by Lee Ingleby in the film, which is about the discovery of the remains of Richard III in a car park in Leicester in 2012, more than 500 years after his death. At a hearing in London on Thursday, Taylor’s barrister, William Bennett KC, asserted that his client was portrayed as “devious”, “weasel-like” and a “suited bean-counter”.

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