From vampire noir to Bin Laden, Point Break to Detroit, the first woman to win an Oscar for best director has never pulled her punches Watching new Jeff Nichols release The Bikeriders , starring Austin Butler and Tom Hardy as 60s Chicago greasers, I was reminded of two other movies: László Benedek’s 1953 Marlon Brando vehicle The Wild One , explicitly cited as an inspiration, and The Loveless , the 1981 feature debut of Kathryn Bigelow , the American film-maker (b.1951) who would go on to become the first woman to win a best director Oscar with her 2008 war drama The Hurt Locker . A symphony of leather-clad posing (with just a touch of Kenneth Anger ), The Loveless was a staple of the late-night circuit in the 80s, often on a double bill with David Lynch’s Eraserhead . Sharing directing credits with Monty Montgomery, Bigelow playfully deconstructed masculinity and machismo in a manner that was one part wry to two parts relish. I remember seeing The Loveless at the Phoenix in East
Spike Lee and Denzel Washington reuniting for Akira Kurosawa remake
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The pair, who last worked together on 2006’s Inside Man, will reimagine the 1963 crime drama High and Low for Apple and A24
Spike Lee and Denzel Washington are teaming up for the fifth time, reimagining Akira Kurosawa’s 1963 crime drama High and Low.
The pair, whose previous projects include Malcolm X and He Got Game, will start filming a reinterpretation in March. Based on the novel King’s Ransom by Ed McBain, the original film stars Toshiro Mifune as a wealthy man in ruin after paying the ransom for a kidnapping.
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