Everybody Digs Bill Evans review – absorbing delve into the tumultuous world of the great jazz man

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Grant Gee’s film thoroughly inhabits the creative and personal torment experienced by the American pianist – with a terrific supporting Bill Pullman turn This elusive, ruminative and very absorbing movie presents its successive scenes like a sequence of unresolved chords carrying the listener on a journey without a destination – and is, incidentally, one of those rare films featuring a wonderful supporting turn that does not undermine or upstage the rest. It’s a film about music. Particularly, about what remains when a musician cannot play and is left to consider the terrible sacrifices made, without conscious consent, to this all-consuming vocation that creates family pain and jealousy almost as a toxic byproduct. It’s a drama to put you in mind of Glenn Gould and Hilary du Pré, sister of Jacqueline. Screenwriter Mark O’Halloran has adapted the 2013 novel Intermission by Owen Martell about renowned jazz pianist Bill Evans. It focuses on a period of emotional devastation for Evans, ...
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Spike Lee and Denzel Washington reuniting for Akira Kurosawa remake

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The pair, who last worked together on 2006’s Inside Man, will reimagine the 1963 crime drama High and Low for Apple and A24

Spike Lee and Denzel Washington are teaming up for the fifth time, reimagining Akira Kurosawa’s 1963 crime drama High and Low.

The pair, whose previous projects include Malcolm X and He Got Game, will start filming a reinterpretation in March. Based on the novel King’s Ransom by Ed McBain, the original film stars Toshiro Mifune as a wealthy man in ruin after paying the ransom for a kidnapping.

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