The Life of Chuck review – unmoving Stephen King schmaltz

Tom Hiddleston plays a man who might be the centre of the universe in a film of often effective parts that never really come together As prestigious as it might sound to win the Palme d’Or at Cannes or the Golden Lion at Venice, the surest indicator of Oscar recognition has become victory at the far less fancy, far more mainstream Toronto film festival. There isn’t a jury-based award, instead there’s one decided by an audience vote and, far more often than not, their picks have lined up with those of the Academy. Since 2008, only one People’s Choice award winner hasn’t then gone on to either take home or be nominated for the best picture Oscar, and while the picks haven’t always been the greatest (hello, Jojo Rabbit, Belfast and Three Billboards), they’ve indicated a broad, crowd-rousing appeal. Last year, despite predictions that Anora or Conclave might triumph, out of nowhere the far less buzzy, and, at that point, distribution-less Stephen King adaptation The Life of Chuck triu...

Peter Bradshaw’s Baftas predictions: which films will win – and which should?

Can Poor Things return rich with mask trophies, or will Oppenheimer raze the competition? Our chief critic places his bets for Sunday’s ceremony

Baftas 2024: the full list of nominations

Will win Oppenheimer
Should win Poor Things
Shoulda been a contender Godland

Continue reading...

from Film | The Guardian https://ift.tt/twC6fG0
via IFTTT

Comments

Popular posts from this blog

BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast