The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Mati Diop’s documentary Dahomey wins top prize at Berlin film festival

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Film about first major return of looted treasures to Africa beat the work of several veteran directors

Mati Diop’s documentary on the first major return of looted treasures from Europe to Africa beat several veteran directors to the top prize at the Berlin film festival.

The 41-year-old Senegalese-French director’s one-hour film, Dahomey, follows a hoard of 26 treasures on their 2021 return journey from Paris to Benin, from where they were looted by French forces almost a century and a half earlier.

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