Akshay Kumar's Ghis Ghis Ghis is not here to win critics; it's here to hijack weddings, reels and meme pages

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There are songs that arrive with mood lighting, designer costumes, international locations, 400 background dancers, drone shots, neon frames and a marketing deck longer than the screenplay. And then there is Ghis Ghis Ghis from Welcome To The Jungle, which seems to have arrived with only one mission: Boss, speaker phaadna hai. In an industry that has become painfully obsessed with looking cool, sleek, premium, curated and Instagram-safe, Ghis Ghis Ghis feels like that one loud baraati who enters the wedding before the groom, dances with the band, argues with the dholwala, eats two plates of chaat and still becomes the most memorable person of the evening. The recently released song from Welcome To The Jungle features Akshay Kumar with Bhojpuri star Akshara Singh has clocked more than 6 million views in the past 24 hours. But the bigger story is not just the song. The bigger story is what the song represents. Bollywood has spent the last few years trying very hard to decode virality. T...
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Tom Priestley obituary

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Film editor who was nominated for an Oscar for Deliverance and sought to promote his father JB Priestley’s writing

Tom Priestley, who has died aged 91, knew early on that he wanted a career in the arts. “But my father had covered so much territory, there wasn’t much left,” he said. He was the sixth child and only son of the playwright and novelist JB Priestley.

The discipline he eventually chose, and excelled at, was film editing. He won a Bafta for Morgan: A Suitable Case for Treatment (1966), Karel Reisz’s dark comedy about conformity and rebellion, starring David Warner and Vanessa Redgrave. He was also nominated for an Oscar for John Boorman’s thriller Deliverance (1972), with Burt Reynolds and Jon Voight. It was adapted by James Dickey from his own novel about four friends who are terrorised by Appalachian locals while on a canoeing trip.

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