The Blood Countess review – Isabelle Huppert reigns supreme in a surreal vampire fantasia

Vienna turns into a playground of camp, cruelty and aristocratic disdain in a blackly comic take on the Báthory legend – with Huppert gloriously suited to the title role From the dark heart of central Europe comes a midnight-movie romp through the moonlit urban glades of Euro-goth and camp from German director Ulrike Ottinger. As for the star … well, it’s the part she was born to play. Isabelle Huppert is Countess Elizabeth Báthory, 16th-century Hungarian noblewoman and serial killer, legendary for having the blood of hundreds of young girls on her hands and indeed her body, in an attempt to attain eternal youth. The “blood countess” has been variously played in the past by Ingrid Pitt, Delphine Seyrig, Paloma Picasso, Julie Delpy and many more, but surely none were as qualified as Huppert who importantly does not modify her habitual hauteur one iota for the role. Her natural aristocratic mien and cool hint of elegant contempt were never so well matched with a part. She gives us the ...

Wish You Were Here director David Leland dies aged 82

The British film-maker also wrote the landmark TV play Made in Britain, starring Tim Roth, and won an Emmy award for Band of Brothers

David Leland, the director behind popular 1980s hit Wish You Were Here and writer on a string of acclaimed British films including Made in Britain, Mona Lisa and Personal Services, has died aged 82. His agency Casarotto Ramsay and Associates said in a statement that Leland died on Sunday surrounded by his family. They added: “He is survived by his wife, Sabrina, his four daughters, his son and his six grandchildren … all of whom he loved almost as much as Arsenal football club.”

Born in 1941, Leland initially trained as an actor at the Central School of Speech of Drama, before becoming part of the breakaway that led to the creation of the Drama Centre in 1963. He secured small roles in 1970s films such as John Mackenzie’s directorial debut One Brief Summer, Gawain and the Green Knight starring Murray Head and Jacques Demy’s The Pied Piper. However, he found writing and directing more to his taste, directing the world premiere of Michael Palin and Terry Jones’s pair of short plays, Their Finest Hours, at the Crucible theatre, Sheffield, in 1976, and commissioning Victoria Wood to write her 1978 play Talent for the same venue. In 1977 Leland cast Pierce Brosnan, who had also studied at the Drama Centre, in the UK premiere of Tennessee Williams’ play The Red Devil Battery Sign at the Roundhouse in London.

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