Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

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Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace
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Shirley Anne Field obituary

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British actor who starred in the 1960s film classics Saturday Night and Sunday Morning and The Entertainer

Shirley Anne Field, who has died aged 87, was likened to Marilyn Monroe, Catherine Deneuve and even “a sort of red-haired Brigitte Bardot”. There was no question she could stop traffic. “Lorries used to thunder to a halt, and I would wonder what they were looking at,” she said.

Her presence was sharply distinctive. In Karel Reisz’s film of Alan Sillitoe’s Saturday Night and Sunday Morning (1960), a defining work of kitchen-sink drama, she was a vision of self-possession as Doreen (“Rotten name, ain’t it?”), who works in a Nottingham hairnet factory, lives with her mother and catches the eye of the discontented lathe operator Arthur Seaton, played by Albert Finney.

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