Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
Outrage as Emmanuel Macron says Gérard Depardieu is target of ‘manhunt’
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Feminists and politicians on left condemn French president’s praise of actor as sending ‘massive support’ to man being investigated for rape
Feminists and politicians on the left have reacted angrily after the French president described the actor Gérard Depardieu – who is under formal investigation for rape and facing fresh scrutiny over sexist comments – as the target of a “manhunt”.
“You will never see me participate in a manhunt … hate that type of thing,” Emmanuel Macron told the broadcaster France 5, when asked about the possibility of stripping Depardieu of a state award after a documentary showed footage of sexist and inappropriate behaviour by the star.
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