The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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‘It felt like a Greek tragedy’: the shocking truth behind wrestling drama The Iron Claw

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A new film tells the story of the Von Erich family, who gained fame in the 80s in a series of highs and devastating lows, with only one of six brothers surviving

One drowned when he was a boy. Another was found dead in a hotel room. A third committed suicide. A fourth died from an overdose. A fifth shot himself in the head. Of six brothers, only one survived to confront the family “curse”.

The Von Erichs were stars of professional wrestling in the early 1980s, entering the lore of Dallas, Texas, alongside the assassination of John F Kennedy, the Dallas Cowboys football team and fictional oil baron JR Ewing. Their story is told in a new film, The Iron Claw, starring Zac Efron and written and directed by Sean Durkin, who describes it as part family drama, part gothic horror and part sports movie.

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