The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t

‘Hypnotically terrible’: readers on 15 so-bad-they’re-brilliant Christmas movies

Whether you want to watch the story of a killer shark, a royal romance or a long-eared donkey, these films have got you covered

The first film in the A Christmas Prince series features sledding, festive markets and a coronation. Thankfully, this follow-up provides the opportunity to dive into the political economy of Aldovia, which is mysteriously haemorrhaging money – a problem which must be solved by the royal family. In my favourite scene, a frustrated protester holds a placard with the simple message “WHY?!”, which sums up my feelings on settling down to watch this film every year since its release in 2018. And yet, I do. It’s painfully low budget and the dialogue is clunky – but it never fails to make me laugh. Rebecca, London

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