The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...

‘Hypnotically terrible’: readers on 15 so-bad-they’re-brilliant Christmas movies

Whether you want to watch the story of a killer shark, a royal romance or a long-eared donkey, these films have got you covered

The first film in the A Christmas Prince series features sledding, festive markets and a coronation. Thankfully, this follow-up provides the opportunity to dive into the political economy of Aldovia, which is mysteriously haemorrhaging money – a problem which must be solved by the royal family. In my favourite scene, a frustrated protester holds a placard with the simple message “WHY?!”, which sums up my feelings on settling down to watch this film every year since its release in 2018. And yet, I do. It’s painfully low budget and the dialogue is clunky – but it never fails to make me laugh. Rebecca, London

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