Infinite Icon: A Visual Memoir review – Paris Hilton’s act of self-love shows there’s nothing behind the mask

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A look behind the scenes of the star’s second album turns out to reveal exactly what you’d expect, at arduous length Paris Hilton here presents us with an unbearable act of docu-self-love, avowedly a behind-the-scenes study of her second studio album, Infinite Icon, and where she’s at as a musician, survivor and mom. But maybe there is, in fact, nothing behind the scenes; judging by this, the scenes are all there is: Insta-exhibitionism, empty phrases and show. Hilton’s second album no doubt has its admirers and detractors, and her fans are perfectly happy with it. But this film, for which she is executive producer, is an indiscriminate non-curation of narcissism and torpid self-importance that seems to go on and on and on for ever; the longest two hours of anyone’s life, finally signing off with a splodge of uninteresting and unedited concert footage. Continue reading... from Film | The Guardian https://ift.tt/BNvDRxa via IFTTT
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Bradley Cooper weighs in on Maestro prosthetic nose controversy

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The co-writer and director of the biopic, in which he stars as composer Leonard Bernstein, explains he ‘didn’t look right’ without the prosthetic

Bradley Cooper has weighed in on controversy surrounding the use of a prosthetic nose in the film Maestro, in which he portrays the legendary conductor Leonard Bernstein.

After initial photos and a teaser for the film were released in August, some critics decried Cooper’s decision to don a prosthetic nose to star as Bernstein, who was Jewish. Daniel Fienberg, the Hollywood Reporter’s chief TV critic, called it “problematic” and described the film as “ethnic cosplay”. Others called the decision antisemitic, or used the derogatory term “jewface”.

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