The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Bradley Cooper weighs in on Maestro prosthetic nose controversy

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The co-writer and director of the biopic, in which he stars as composer Leonard Bernstein, explains he ‘didn’t look right’ without the prosthetic

Bradley Cooper has weighed in on controversy surrounding the use of a prosthetic nose in the film Maestro, in which he portrays the legendary conductor Leonard Bernstein.

After initial photos and a teaser for the film were released in August, some critics decried Cooper’s decision to don a prosthetic nose to star as Bernstein, who was Jewish. Daniel Fienberg, the Hollywood Reporter’s chief TV critic, called it “problematic” and described the film as “ethnic cosplay”. Others called the decision antisemitic, or used the derogatory term “jewface”.

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