Directed by Tyler Atkins and co-written by Russell Crowe, this Australian feature follows a familiar playbook – but you’ll find yourself surprisingly invested Ah, yes: the promising fighter who could’ve been a contender, could’ve been a champion. But then life intervened: bad decisions were made, promises broken, the wrong paths taken. But what if the past came knocking on his door? What if our long-in-the-tooth hero could have another crack, set things right, get in the ring one more time? To say that Tyler Atkins’ Australian martial arts drama Beast plucks moves from a well-worn playbook is putting it lightly. This is one of those genre films in which nothing surprises in broad terms; it’s the small pivots and deviations that matter. Given the ring of familiarity surrounding everything, I was surprised to find myself as invested in the film as I was, particularly because so many chest-thumping sports movies are already out there, many of which I find about as intellectually engaging ...
Bradley Cooper weighs in on Maestro prosthetic nose controversy
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The co-writer and director of the biopic, in which he stars as composer Leonard Bernstein, explains he ‘didn’t look right’ without the prosthetic
Bradley Cooper has weighed in on controversy surrounding the use of a prosthetic nose in the film Maestro, in which he portrays the legendary conductor Leonard Bernstein.
After initial photos and a teaser for the film were released in August, some critics decried Cooper’s decision to don a prosthetic nose to star as Bernstein, who was Jewish. Daniel Fienberg, the Hollywood Reporter’s chief TV critic, called it “problematic” and described the film as “ethnic cosplay”. Others called the decision antisemitic, or used the derogatory term “jewface”.
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