The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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‘I’m 90. I worry if I’m gonna make it to lunch’: Michael Caine and John Standing on wives, war and feeling like the Queen

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The actors star alongside the late Glenda Jackson in The Great Escaper, the moving real-life story of a D-day veteran. They reflect on class, communism and female cage-fighting

Michael Caine wears two watches: an analogue for the time and an Apple for everything else. It even knows his pulse, he says, impressed. Right now, it’s telling him his flat is 26C: warm enough for his wife, Shakira, to pour iced coffee into his flask, but not hot enough for those balcony doors to be open: “It’s blowing a bloody gale in here!”

I slide them shut slightly. Is that OK? A bit more. Enough? Bit more. I close them completely. He’s happy now.

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