Primitive War review – it’s Green Berets vs dinosaurs in cheerfully cheesy Vietnam war gorefest

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Set to an on-the-nose soundtrack of Creedence Clearwater, an elite squad of soldiers are suitably unprepared for their large-toothed assailants in this jungle thriller Aimed squarely and unabashedly at viewers who love soldiers, gore and dinosaurs – as well as dinosaurs goring soldiers – this adaptation of Ethan Pettus’s 2017 novel is deeply repetitive but weirdly watchable. Although shot in Australia with a mostly Australian cast sprinkled with a few American actors, it’s supposed to be set in Vietnam in the late 1960s as the US armed forces take on the Viet Cong. But there are other forces to contend with, and we don’t just mean covert Chinese or Soviet operatives, although the latter do feature significantly here. It turns out a nefarious scientific experiment by one of the aforementioned factions has accidentally ushered a whole army of dinosaurs into the jungle and they’ve begun gaily munching their way through anyone who gets in their way. When one squad of Green Berets go miss...
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Ebrahim Golestan obituary

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Iranian writer and film-maker who was a prominent figure in the country’s new wave of cinema

When a consortium of western oil companies took over the operation of the Iranian oil industry in 1954, Ebrahim Golestan, one of Iran’s leading intellectuals and writers, was recruited to work in public relations at the new company and put in charge of making educational films.

In 1957 he founded his own Golestan Studios and in 1959, after he had severed ties with the oil consortium, he negotiated the buyout of the equipment with which he had made their documentaries. With this equipment, his studio became the most sophisticated centre for film-making in Iran.

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