The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Brigitte Bardot: ‘I don’t understand why the whole world is still talking about me’

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The French film star has spoken of her frustration at her lasting fame, but has agreed to a drama series about her life

She is one of cinema’s most celebrated stars but, having made her last film decades ago, Brigitte Bardot cannot understand why anyone is still interested in her life, according to the maker of a new drama series about the French actor.

Bardot expressed her frustration in a letter to Oscar-nominated Monégasque film-maker Danièle Thompson, the writer-director of the new drama series Bardot.

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