The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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‘A self-inflicted injury’: judge dismisses lawsuit claiming Yesterday trailer tricked Ana de Armas fans

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Plaintiffs claimed that keeping the actor in the trailer for the Danny Boyle film but cutting her from the final product amounted to false advertising

A US district judge has thrown out a $5m lawsuit from two movie fans who accused Universal Studios of tricking people into watching Yesterday by featuring actor Ana de Armas – who had been cut from the final movie – in the film’s trailer.

In a class action suit filed last year, Peter Michael Rosza of San Diego and Conor Woulfe of Maryland said they paid $3.99 each to watch the Danny Boyle romantic comedy on Amazon Prime, only to discover that De Armas was not in the film.

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