The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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#Barbenheimer backlash: Japan rejects co-marketing of Barbie and Oppenheimer as trivialising nuclear war

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Warner Bros Japan has publicly criticised their US counterparts over ‘inconsiderate’ reactions to art combining playful Barbie imagery with mushroom clouds

Warner Bros Japan has criticised what it called “extremely regrettable” Barbenheimer tweets shared by their US counterparts.

It joins a growing backlash in Japan against the conflation of Greta Gerwig’s playfully marketed film with Oppenheimer, a biopic of the scientist behind the atomic bombs dropped on Hiroshima and Nagasaki.

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