Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

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Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace
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The Magnificent Ambersons: rebirth for ruined Orson Welles masterpiece that rivalled Citizen Kane

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The studio ‘butchered’ the legendary director’s 1942 film. Now an ambitious project is under way to restore it

The idea of deleting scenes from a film by renowned actor-director Orson Welles would be sacrilege today. But just after he made his masterpiece Citizen Kane for RKO in 1941, studio executives butchered his next great movie, The Magnificent Ambersons, burning extensive footage without consulting him.

Welles was so devastated that he later lamented: “They destroyed Ambersons and it destroyed me.”

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