‘It felt dangerous. You got naggy’: Ethan Hawke and Richard Linklater on power, combovers and Blue Moon

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Ahead of their 11th movie together, the actor and director discuss musicals, the legacy of Philip Seymour Hoffman and what being bald and 5ft tall does to your flirting skills ‘I like this, it’s good,” Ethan Hawke tells Richard Linklater, midway through a lively digression that has already hopped from politics to the Beatles to the late films of John Huston . “What’s good?” asks Linklater. “All of this,” says Hawke, by which he means the London hotel suite with its coffee table, couch and matching upholstered armchairs; the whole chilly machinery of the international press junket. “I like that we get to spend a couple of days in a room,” he says. “It feels like a continuation of the same conversation we’ve been having for the past 32 years.” It’s all about the conversation with Linklater and Hawke. The two men like to talk; often the talk sparks a film. The director and actor first met backstage at a play in 1993 (“Sophistry, by Jon Marc Sherman,” says Linklater) and wound up chattin...
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The Magnificent Ambersons: rebirth for ruined Orson Welles masterpiece that rivalled Citizen Kane

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The studio ‘butchered’ the legendary director’s 1942 film. Now an ambitious project is under way to restore it

The idea of deleting scenes from a film by renowned actor-director Orson Welles would be sacrilege today. But just after he made his masterpiece Citizen Kane for RKO in 1941, studio executives butchered his next great movie, The Magnificent Ambersons, burning extensive footage without consulting him.

Welles was so devastated that he later lamented: “They destroyed Ambersons and it destroyed me.”

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