‘It needs to be loud’: Jozef Van Wissem’s one-man mission to make the lute rock again

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The Dutch ex-punk and Jim Jarmusch bandmate talks about his passion to free up a hidebound repertoire and make its strings ‘a real pop instrument’ Nobody can accuse Jozef Van Wissem of doing things by halves. The musician, very likely the world’s most notorious contemporary lutenist, owns a sonic arsenal of eight of the string instruments: some bespoke, and all boasting remarkable features. With them he has created a huge body of work, nearly 50 titles to date. Another album, This Is My Blood is released this May. Each Easter, Van Wissem settles down to compose a new record. He finds the peace of Warsaw, where everyone has “gone away for the holidays”, more amenable for work than “noisy” Rotterdam, where he also has a flat. Continue reading... from Film | The Guardian https://ift.tt/lIktvjD via IFTTT
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Sleepless in Seattle at 30: Nora Ephrons romcom still worth falling for

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Tom Hanks and Meg Ryan exude timeless star power as a couple kept apart for almost the entirety of the 1993 classic

Sleepless in Seattle – the film, the phrase – conjures the kind of quixotic romance that already seems long lost to us, on screen and elsewhere.

Nora Ephron specialized in whimsical courtships – majestic grand gestures, emotionally lofty stakes, couples too perfect for each other for lightning ever to strike so precisely again. As her sophomore directorial venture approaches its 30th year, Sleepless in Seattle remains famously unrivaled in the sheer brilliance of its feat: a love story in which the lovers share roughly 2 minutes of screen time. Ephron’s bold tribute to the cinematic romances of her youth is one deviously elaborate, protracted journey to the “meet-cute”. Fitting then, that our lovers’ tale begins on the road.

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