‘It felt dangerous. You got naggy’: Ethan Hawke and Richard Linklater on power, combovers and Blue Moon

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Ahead of their 11th movie together, the actor and director discuss musicals, the legacy of Philip Seymour Hoffman and what being bald and 5ft tall does to your flirting skills ‘I like this, it’s good,” Ethan Hawke tells Richard Linklater, midway through a lively digression that has already hopped from politics to the Beatles to the late films of John Huston . “What’s good?” asks Linklater. “All of this,” says Hawke, by which he means the London hotel suite with its coffee table, couch and matching upholstered armchairs; the whole chilly machinery of the international press junket. “I like that we get to spend a couple of days in a room,” he says. “It feels like a continuation of the same conversation we’ve been having for the past 32 years.” It’s all about the conversation with Linklater and Hawke. The two men like to talk; often the talk sparks a film. The director and actor first met backstage at a play in 1993 (“Sophistry, by Jon Marc Sherman,” says Linklater) and wound up chattin...
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Sleepless in Seattle at 30: Nora Ephrons romcom still worth falling for

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Tom Hanks and Meg Ryan exude timeless star power as a couple kept apart for almost the entirety of the 1993 classic

Sleepless in Seattle – the film, the phrase – conjures the kind of quixotic romance that already seems long lost to us, on screen and elsewhere.

Nora Ephron specialized in whimsical courtships – majestic grand gestures, emotionally lofty stakes, couples too perfect for each other for lightning ever to strike so precisely again. As her sophomore directorial venture approaches its 30th year, Sleepless in Seattle remains famously unrivaled in the sheer brilliance of its feat: a love story in which the lovers share roughly 2 minutes of screen time. Ephron’s bold tribute to the cinematic romances of her youth is one deviously elaborate, protracted journey to the “meet-cute”. Fitting then, that our lovers’ tale begins on the road.

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