Ruaridh Mollica is very good as Max, a freelance writer with a secret app life in prostitution, but Mikko Mäkelä’s film is not clear enough about his motivations Sex work as a window into human nature is a longstanding theme in cinema, from Kenji Mizoguchi’s Street of Shame to Chantal Akerman’s Jeanne Dielman, and onwards. It is intensified here by the fact that the protagonist Max (Ruaridh Mollica), who mines his side-hustle escort work for material, is also a writer. But this uneasy, self-regarding sophomore effort by Finnish-British director Mikko Mäkelä, never fully distancing itself from the narcissistic prism of artistic creation, only fleetingly makes contact with flesh-and-blood human truths. By day, Max is a freelance hotshot for London’s trendy Wall magazine; he has just bagged himself a sweet assignment to interview Bret Easton Ellis. By night he is “Sebastian”, a hot commodity on an app called DreamyGuys. Typically servicing the older gentleman, he turns his experiences...
‘Truth is sacred’: Tom Hanks gives keynote speech and receives honorary degree from Harvard
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The two-time Academy Award winner spoke to the graduates on truth and was given a volleyball as a gift
As the US grapples with a disinformation crisis, Tom Hanks told graduates of Harvard on Thursday to be superheroes in their defense of truth and American ideals, and to resist those who twist the truth for their own gain.
“For the truth to some is no longer empirical. It’s no longer based on data, nor common sense, nor even common decency,” the two-time Academy Award winner said during his keynote address. He invoked the Latin word for truth, “veritas”, Harvard’s motto.
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