The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

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Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love This film from writer-director Ira Sachs gives us premium-strength, undiluted Rami Malek – but I have to say that his overripe performance and self-conscious mannerisms here are perhaps even more oppressively insistent for being conveyed relatively quietly in spoken dialogue. And not quietly at all in the singing scenes. Malek is a performer whose style is as distinctive as those of John Malkovich or Jeff Goldblum. But it works best with a light touch in the direction and material. Things never really come together here. The Man I Love is a film about gay culture in 1980s New York, at the height of the reactionary homophobia of Reagan’s America, with HIV-positive men coming to terms with their condition and with the callous bigotry of the political zeitgeist. In one hospital scene, we see the authorities’ icily unsympathetic ...
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Black Flies review – Sean Penn paramedic drama tries to grapple the horror

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Fresh-faced rookie Tye Sheridan is led through a world of medical grimness by a grizzled Penn in a tale full of lifeless cliche

There are some strident cliches alongside redundant self-harming machismo in this sub-Schraderesque movie about New York paramedics, directed by Jean-Stéphane Sauvaire and adapted from the novel by Shannon Burke. Sirens screaming and faces emoting, they battle through another dark-night-of-the-soul as they deal with gang shootings, domestic assaults, homeless people dying and crack addicts giving birth in hovels. They are often assigned the futile chore of attending to corpses discovered in decaying buildings, surrounded by black flies – but aren’t all the other patients just corpses in waiting? And so the black flies of horror start buzzing into their brains.

Tye Sheridan co-stars as Ollie, the standard-issue Hollywood rookie, a fresh-faced young ambulance guy from Colorado (of all the poignantly innocent places) paired in time-honoured style with a grizzled old-timer. This is the seen-it-all Gene Rutkovsky, appropriately nicknamed “Rut”, a veteran of a million horrors, including 9/11, played by Sean Penn. Fights break out among the guys back at the station house and Mike Tyson has a cameo as the grouchy chief who has to keep everyone in line.

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