The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Disney v DeSantis: how a corporate behemoth turned beacon of diversity

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The fight between the Florida governor and the Magic Kingdom is weird and getting weirder, for a company that was not always a defender of LGBTQ+ rights

In an American political landscape seemingly defined by division and acrimony, one of the bitterest fights is also one of the strangest: the slug fest currently playing out between the rightwing Florida governor and 2024 White House hopeful Ron DeSantis and the Magic Kingdom of Disney World.

Last week was especially strange. DeSantis appeared to have bitten off more than he could chew when, as gas shortages riled Miami-Dade voters, he kept his long-running dispute with Disney World going through turns as tight as the teacups on the Mad Tea Party at the edge of Fantasyland.

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