The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Cannes defends decision to pick Johnny Depp film as festival opener

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Prestige slot for Jeanne de Barry, featuring Depp as Louis XV, has drawn criticism but general delegate Thierry Frémaux says it is not ‘a controversial choice’

Cannes film festival general delegate Thierry Frémaux has defended the decision to hand the prestigious opening slot to Jeanne du Barry, in which Depp stars as Louis XV.

Directed by and starring Maïwenn, Jeanne du Barry is a biopic of the famous 18th-century maîtresse-en-titre, who was executed in 1793 during the French revolution. Speaking to Variety, Frémaux said it was not “a controversial choice”, adding: “If Johnny Depp had been banned from working it would have been different, but that’s not the case. We only know one thing, it’s the justice system and I think he won the legal case.”

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