Preity Zinta approaches Bombay High Court to take down AI deepfake content; next hearing scheduled on July 6

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Actor Preity Zinta has approached the Bombay High Court seeking the removal of AI-generated deepfake videos, morphed images and other unauthorised content featuring her from social media and online platforms. The actress has also sought an injunction to prevent the publication and circulation of such content in the future. The matter came up for hearing before a single bench of Justice Madhav Jamdar on Friday. After hearing preliminary submissions, the court directed the parties, including the online platforms concerned, to work out a mechanism for taking down the allegedly offending material. The matter has now been listed for further hearing on July 6. Preity Zinta seeks removal of AI-generated content In her civil suit, Preity Zinta has referred to multiple instances of AI-generated deepfakes, morphed visuals and chatbot-style interactions that allegedly use her likeness without authorisation. According to the plea, the actress has sought urgent directions from the Bombay High Cour...
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The Thief Collector review – the ordinary married couple behind a massive art heist

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This entertaining documentary looks at how teachers Rita and Jerry Alter walked into a museum and left with a rolled-up Willem de Kooning now worth $160m

It was a brazen case of daylight robbery. In 1985, a couple walked into an art gallery on the campus of the University of Arizona and left 15 minutes later with a rolled-up Willem de Kooning shoved up the man’s jacket. In 2017, the painting was finally recovered – not by the FBI, but by a trio of house clearance guys in New Mexico. It had been hanging for 30 years on the bedroom wall of retired teachers Rita and Jerry Alter.

How an ordinary couple like the Alters pulled off one of the biggest art heists of the 20th century is told in this mostly entertaining documentary. You can imagine the story being turned into a podcast and it’s perhaps stretched a little thin for a full-length documentary. (Did we really need an interview with the couple’s nephew’s son?) The weak link is the film’s dramatisation of the theft: a tongue-in-cheek pastiche that feels a bit glib as questions about the Alters’ motivations deepen and darken. Still, the film offers a fascinating glimpse into the mystery of other people, especially other people’s marriages. Friends and family still look dazed that the Alters – Rita and Jerry! – were behind the theft.

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