From Melania to Kid Rock’s halftime show: why is Maga art so dreadful?

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As the right stokes culture wars, their alternatives to ‘woke’ Hollywood prove to be shoddily made and uninspired It’s not fair, what they did to rightwing folks on Super Bowl Sunday. Regular viewers could either take in an elaborate and joyful halftime performance from Puerto Rican recording artist Bad Bunny , one of the most popular music stars in the world, or, if they weren’t interested in football or in Bad Bunny ’s music, they could quietly find something else to watch or listen to. There are a lot of options out there. Those who wanted to prove their Maga bona fides or loyalties, however, may have felt obligated to watch a parade of similar-sounding country singers lead into a performance from a shorts-wearing Kid Rock , jumping around and seemingly lip-syncing to a novelty hit from 1999. For rightwingers who couldn’t stomach the Spanish lyrics to Bad Bunny songs, they could take comfort in the clear English of the man also known as Robert Ritchie: “Bawitdaba, da-bang, da-ban...
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Post your questions for Alison Steadman

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Ask the British national treasure – star of Mike Leigh films aplenty, as well as countless TV and stage roles – about any of her brilliant performances by 6pm Sunday

How long can you be a national treasure for? Alison Steadman arguably holds some sort of record: ever since her breakthrough performance in the TV version of Abigail’s Party, back in 1977, she’s been a brilliant, comforting, spiky staple of British screen and stage.

Her collaborations with ex-husband Mike Leigh (she was pregnant with their first son shooting Abigail’s Party) are what defined her early career in the public consciousness. Life is Sweet, Hard Labour, Nuts in May; later the likes of Topsy-Turvy.

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